The Rankings
The 5 Best Motion & Digital-First Branding Agencies
The studio networks call when the brand is the broadcast
📍 New York | Est. 2009 | Budget: Mid-market to enterprise
Best for: TV networks, streaming services, media companies, cultural channels
Clients: Viceland, Netflix, ESPN
Gretel's work lives where most identities only visit: channel idents, show packaging, promo templates and the endless small screens a network fills every day. Its channel identity for Viceland is a good example of how it thinks: a brand built to look handmade and deliberately rough on air, which made a new network instantly recognizable among polished competitors. The studio is at its best when a brand has to carry thousands of hours of content without becoming wallpaper.
Skip if: Your brand mostly appears in print, retail or packaging.
Identity systems for streaming platforms and live television
📍 London | Est. 2001 | Budget: Enterprise
Best for: Streaming services, broadcasters, sports media, global entertainment brands
Clients: Max (Warner Bros. Discovery), ITV, Hulu, Eurosport
DixonBaxi builds the whole system a platform runs on. For ITV and its streaming service ITVX it designed a logo system, a bespoke typeface family and an on-screen presentation system for live TV. For Max it spent a year with Warner Bros. Discovery's marketing, product and brand teams on an identity that had to work on billboards and on tiny app icons. Its 2021 "Vessel" system for Hulu grew a whole design language out of a single letterform. If your brand has to function inside a product interface, this is rare experience.
Skip if: You're a small company. The process is built for large platforms with many internal teams.
Motion and 3D craft that turns a product moment into a brand
📍 London, Los Angeles | Est. 2007 | Budget: Mid-market to enterprise
Best for: Product launches, sportswear, consumer tech, broadcaster identities
Clients: Nike, Apple, Channel 4, ESPN, Squarespace
ManvsMachine started in Shoreditch as a design and motion studio and still works mainly in moving image: brand identity, film, animation and visual effects. Its Nike Flyknit project shows the range: a launch film for Nike's innovation summit grew into an identity for Flyknit itself, built to work across print, retail, digital and motion. It has also designed on-air identities for Channel 4's More4 and a rebrand for ESPN.
Skip if: You need a full brand strategy and naming before any design. Craft is the strength here.
Brand worlds built for motion, product and change
📍 Los Angeles, New York, Sydney, Amsterdam, London | Est. 2004 | Budget: Mid-market to enterprise
Best for: AI and software products, gaming and esports, tech companies that ship constantly
Clients: Kia, Riot Games, Comfy, The Sims
Buck is known for animation, but its brand practice has grown fast. It designed the identity and motion system for Kia's AI assistant, an enduring visual identity for Riot Games' World Championships, and the motion system behind The Sims brand refresh. For the AI platform Comfy it rebuilt the identity in a seven-week sprint, covering brand, product, motion and launch communications. That speed with depth is unusual at this level of craft.
Skip if: You want a small, quiet identity. Buck's work is expressive by default.
Screen-first branding at startup speed
📍 San Francisco, team distributed across time zones | Est. 2025 | Budget: Flexible
Best for: Startups, fintech and crypto products, SaaS launches that live on web and social
Clients: Early-stage and VC-backed startups (client list not public)
Most motion specialists are priced for networks and global brands. Mission Control brings that kind of output to companies that can't commission a broadcast package. Its studio covers brand, product and websites, plus content across 2D and 3D, illustration, video and decks, so the identity is designed for the screens a startup actually uses: the homepage hero, the app, launch clips and the investor deck. AI speeds up exploration; designers make the creative calls.
The studio launched in 2025, so it has no broadcast portfolio to compare with the firms above.
Skip if: You need TV idents or a live-broadcast graphics system.